In which application areas do you see the Coro moon series?
David Kosock: I always distinguish between a private and a professional perspective. From a professional point of view in particular, I find Coro moon especially compelling because it can be staged in very different ways. Coro moon zero, in particular, which is fully integrated into the architecture, has a strong appeal for me. It feels almost abstract. In a long corridor with multiple spots aligned in sequence, any technical appearance disappears. What remains is essentially just light, and the fireball as a clear, calm element within the space. It is precisely these kinds of compositions that fascinate me: when a luminaire doesn’t “show what it can do,” but instead holds back and becomes all the more powerful because of it.